“Put this under your tongue,” Josh said, handing me three small circles of thin white paper. The club’s owner, a dubious character, not because of his whittled-away teeth or the stringy, wet hair plastered to the sides of his head, but because of the sheen over his dark pupils, had offered the goods to Josh. I hesitated, but then this sickly looking man gave me a friendly salute. And so, already three sheets to the wind, I placed not one but all three under my tongue. They were tasteless and dissolved in seconds. While I waited for the fun to kick in I scanned the room. Halloween: goth kids dressed up as vampires. Or — wait a minute — were they vampires disguised as humans? The room was changing. I looked over at Josh to make sure he was still there. The pudgy motherfucker, with a serene grin on his face, was lost in the screeching music. All of a sudden I caught the hungry gaze of a vampire, its eyes comically wide open. Don’t look at me! Averting my eyes I watched as the wal
I believe that the minds of men. . . will change . . . that all the old pictures will fade out, and new ones will take their place. . . that what we have in our heads now is only one of millions of possible seeings ; I believe that the man animal got started on the wrong foot. —K. Patchen, Albion Moonlight , 298 For J-Y In Memphis I saw plainly that for all these years I’ve been travelling with an indifference that now leaves me feeling incredibly ashamed. I tell myself that I should know a place well before visiting it, and so I prepare by picking up bits from books here and there. But being interested in the idea of what other people have found a place to be like has blinded me from seeing what is actually in front of me. I get hung up on history and aesthetics and the like, which are arguably only of academic or cocktail-party use. Because of this I’ve been content to let someone else take care of the suffering I see. I had been wanting to visit Memphis for a lo